I, too, am impressed by the impeccable sheen of the velvet on More’s sleeves. Hans Holbein nonetheless chose an unflattering angle and that expression for his face.
This music was not meant for the Ye fanbase; it’s just West personally evolving, in the public eye.
During one of the show’s best transitions, Scott appeared magically on the lower tier of the hanging podium and noted that there was only one more mode that he and the already-riled audience could possibly reach.
Hits like “Primadonna” and Clean Bandit’s “Baby,” on which she is featured, were exciting to see performed live, but the highly edited, quickly changing nature imagery on the background display made little sense with her costume, dance, and overall stage.
Familiarity with Hozier made the lights brighter and his melodies more heart-wrenching, but the concert experience would be enjoyable to any.
The Harvard Crimson sends three writers — Allison J. Scharmann '21, Jack M. Schroeder '21, and Shruthi Venkata '22 — to cover Boston Calling Music Festival.
Through a mélange of the most up-and-coming of his own music, Anderson .Paak’s show at Boston Calling displayed a level of performative genius.
For noncommittal but appreciative fans of Lord Huron’s style of country-tinged indie-folk music, the concert was unenthralling after the first song.
At his Boston Calling performance on Friday afternoon, touring singer Bonzai, now known as Cosha, stole the show with her vivid stage presence.
The “Mona Lisa” may have had a thyroid condition. The “Vitruvian Man” may have had a hernia in his groin. The “Gypsy Girl With Mandolin” may have had rheumatoid arthritis. The distinguished subjects of art sometimes had diseases, and often, so did the artists themselves.
@liljupiterr juxtaposes Lucky Charms, drugs, and memes with haute couture sneakers — many of which are rare, beautiful, and custom-made.
In “While We Wait,” Kehlani creates a profound emotional experience, invoking large-scale romantic sentiments through a simple and candid lens.
Critic Hilton Als and novelist Claire Messud talked cultural monoliths, a Barbadian family heritage, and the gravity of the human condition on March 4.
"The conversations American theater is having about diversity are fantastic. At the same time, international artists rarely seem to come into the picture," Chen said.
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