The Harvard Crimson

The Harvard Crimson Presents

From Cannes Film Festival 2023

The Harvard Crimson sends staff writer Millie Mae Healy ‘24 to France to cover the 76th annual Cannes Film Festival.

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Cover image for From Cannes: ‘Asteroid City’ Revels in Absurdity

From Cannes: ‘Asteroid City’ Revels in Absurdity

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Firebrand’ is a Character-Driven Tour-de-Force

From Cannes: ‘Firebrand’ is a Character-Driven Tour-de-Force

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Four Daughters’ Revolutionizes Documentary Form

From Cannes: ‘Four Daughters’ Revolutionizes Documentary Form

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Strangers by Night’ is Warmly Romantic

From Cannes: ‘Strangers by Night’ is Warmly Romantic

By Millie Mae Healy  • 
Cover image for From Cannes: The Food of Love in ‘The Pot-Au-Feu’

From Cannes: The Food of Love in ‘The Pot-Au-Feu’

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Rapito’ is a Beautiful, Confusing Period Piece

From Cannes: ‘Rapito’ is a Beautiful, Confusing Period Piece

By Millie Mae Healy  • 
Cover image for From Cannes: Unsettling ‘Club Zero’ Loses Its Way

From Cannes: Unsettling ‘Club Zero’ Loses Its Way

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Just The Two of Us’ On Well-Trodden Ground

From Cannes: ‘Just The Two of Us’ On Well-Trodden Ground

By Millie Mae Healy  • 
Cover image for From Cannes: Trite and in Poor Taste with ‘The Old Oak’

From Cannes: Trite and in Poor Taste with ‘The Old Oak’

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Perfect Days’ is Daily Romanticization

From Cannes: ‘Perfect Days’ is Daily Romanticization

By Millie Mae Healy  • 
Cover image for From Cannes: ‘Elemental’ is a Lovely Beginning to a Conversation

From Cannes: ‘Elemental’ is a Lovely Beginning to a Conversation

By Millie Mae Healy  • 
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