Elisabeth J. Bloomberg
Latest Articles
'The Mikado' Makes For Good Fun
For a play in which the characters’ primary goal is to escape with their heads attached to their bodies, “The
‘Oh Dad’ Delivers Wry Wit
Based on the title alone, “Oh Dad, Poor Dad, Mamma’s Hung You In the Closet and I’m Feeling So Sad”
Bipolar ‘Twins’ Lacks Cohesion
Ever heard that America is divided between the right and the left, the culture and the counterculture? Just in case
ARTSMONDAY: ‘Way of the World’ Universally Fun
One could be forgiven for not expecting “The Way of the World”—a play from the 18th century that deals with
ARTSMONDAY: Cryptic ‘Cabrol’ at Mainstage
CORRECTION APPENDED “The Three Lives of Lucie Cabrol” is a play haunted by regrets, misfortune, and ghosts, both real and
ARTSMONDAY: 'Julius Caesar' an Ambiguous Success
“Julius Caesar” is a play that is often as much about the time it is staged as the period it
ARTSMONDAY: Despite Its Darkness, ‘Dactyls’ Soars in Ex
“Pterodactyls” is one of those wonderful black comedies that gives no quarter. It forces you into cold-heartedness as you laugh
Three's An Amusing Crowd In "Company"
It’s wonderful to have lots of friends. But to watch as they all pair off and become unhappily married, comfortably
'Bradbury' Navigates Reality and Fantasy
Visions of a bleak future tend to fall into one of two categories: the sleek, soulless, machine-driven version, or the
POPSCREEN: Good Charlotte
Good Charlotte “Get Your Hands Off My Girl” Dir. Marvin Scott Jarrett “Write what you know” is a timeless adage.