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Crimson staff writer

Neha Mehrotra

Latest Articles

Cover image for Top Chrises in Comic Book Films (Come at me-soon to be-disgruntled Crimson readers)
Arts

Top Chrises in Comic Book Films (Come at me-soon to be-disgruntled Crimson readers)

By Neha Mehrotra  • 

I’m a simple girl with simple tastes. There are two things I love in this world: men named Chris and superhero films.


Cover image for A Return to Form in “Captain America: The Winter Soldier”
Arts

A Return to Form in “Captain America: The Winter Soldier”

By Neha Mehrotra  • 

“Captain America: The Winter Soldier” is not only one of the best—if not the best—additions to the Marvel cinematic universe but also a great stand-alone film about order in an imperfect society and the measures people will take to achieve it.


Cover image for Top Five Most Climactic Songs in Musical Theater
Arts

Top Five Most Climactic Songs in Musical Theater

By Neha Mehrotra  • 

Incoming Theater Exec Neha Mehrotra tells you about the five most exciting musical moments on stage.


Cover image for Jeers and Groaning in "Last Vegas"
Arts

Jeers and Groaning in "Last Vegas"

By Neha Mehrotra  • 

In theory, “Last Vegas” should work. It has four acting heavyweights in De Niro, Kline, Freeman, and Douglas; the volatile, raunchy locale of Las Vegas; and the priceless opportunity to the mix the two together.


Cover image for "Raised in Captivity" Captivates
Arts

"Raised in Captivity" Captivates

By Neha Mehrotra  • 

The Harvard-Radcliffe Dramatic Club’s production of “Raised in Captivity,” running through Saturday at the Loeb Ex, can be classified as absurdist realism. The two words— “absurdist” and “realism”—create a paradox, and indeed, though the play’s characters struggle with realistic, universal problems, they are the victims of the oddest circumstances.


Cover image for It's About Time to See 'Antigonick'
Arts

It's About Time to See 'Antigonick'

By Neha Mehrotra  • 

If a person were to pick up a copy of “Antigonick,” by Anne Carson, the cover will say it is a translation of Sophocles’s “Antigone.” The script of “Antogonick,” however, is more than a translation; it is an interpretation intertwined with artistic renderings, an odd mix between a graphic novel and a lyrical retelling—more a contained, visual experience than a traditional read.


Cover image for “Rush” Has the Right Formula
Arts

“Rush” Has the Right Formula

By Neha Mehrotra  • 

Ron Howard's "Rush" follows one of the most passionate rivalries in Formula One history, that between racers James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl). Hemsworth and Brühl deliver stunning performances with the help of a nuanced script from Peter Morgan.


Cover image for "Maker or Monster?"
Arts

"Maker or Monster?"

By Neha Mehrotra  • 

At the end of the production, S speaks to Shelley, demanding his counterpart to decide what type of man he will be. “It’s time to decide who you are—master or monster,” he says. With such an emotional ending, Giles’s “Sea Change” invited its audience to live and breath the life of Mary Shelley, leaving a sentiment that resonated even after the curtains were closed.


Cover image for "42" Covers Its Bases
Arts

"42" Covers Its Bases

By Neha Mehrotra  • 

Brian Helgeland's latest is a Jackie Robinson biopic starring Chadwick Boseman, chronicling the baseball legend's experience as he broke the color barrier in baseball. While Boseman delivers a powerful performance, whenever Helgeland steps away from the baseball field, the film tends to oversimplify its characters and relationships to a fault.


Cover image for "That Thing": Light and Funny
Arts

"That Thing": Light and Funny

By Neha Mehrotra  • 

Grace S. Sun’s production successfully translates Tom Hanks's popcorn-munching sensibilities and fun in "That Thing You Do!" All of the songs were played live, and it is through these performances that the dynamics of the group and its respective characters really came alive.

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