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David W. Boorstin

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Cover image for 'Shame':  The New Bergman
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'Shame': The New Bergman

By David W. Boorstin  • 

AT LAST Ingmar Bergman has stopped posing questions and begun taking them for granted. Shame is probably his greatest film--and


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The Lion in Winter

By David W. Boorstin  • 

T HE LION IN WINTER is not a film; it's a filmed play. So was A Man For All Seasons,


Cover image for 'The Dove' and the Swede
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'The Dove' and the Swede

By David W. Boorstin  • 

A T THE Charles Cinema is The Dove, a short, funny, successful American parody of Ingmar Bergman. It does what


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News

When the Living Gets Better

By David W. Boorstin  • 

Thurs.-Sat., Oct. 23-26 at Eliot House S TUDENT FILMS are getting better, a little better all the time. A twenty-seven


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Hagbard and Signe

By David W. Boorstin  • 

A BDUCTED by Joseph E. Levine, chained in a dungeon with Steve Reeves (and a cast of thousands), the epic


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Freaks

By David W. Boorstin  • 

F REAKS is indeed like a freakshow. We enter hopefully, morbidly, expecting terrors to make us put our hands in


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China is Near

By David W. Boorstin  • 

China is Near is not about love, but sex; it's not about ideology, but politics. The proletarians making love at

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