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Alice E. Kinzler

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The 400 Blows

By Alice E. Kinzler  • 

Occasionally, a movie is made in which the invisible director is the most important element. Such, happily, is the case


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Destruction of Last Just Man Depicts Plight of Modern Jew

By Alice E. Kinzler  • 

The plight of the modern Jew is thoroughly treated in such disparate novels as The Wall and Remember Me to


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Grisbi

By Alice E. Kinzler  • 

Gallic gangster movies are like opera libretti; there are certain characteristics common to each succeeding story. These essential ingredients are,


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Vive la Difference

By Alice E. Kinzler  • 

Once every four years, the Mr. Hyde in Arthur Schlesinger emerges and he abandons the genteel ivory towers of scholarship


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Harvard in Song

By Alice E. Kinzler  • 

In its first recording under the leadership of Elliot Forbes '40, the Harvard Glee Club offers an interesting potpourri entitled


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Inspector Maigret

By Alice E. Kinzler  • 

French crime movies are undoubtedly the best of the species, and Inspector Maigret is no exception. In the great tradition


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The House I Live In

By Alice E. Kinzler  • 

I suppose the Russians exported The House I Live In to prove that family life among the Soviets is no


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Continental Cafe

By Alice E. Kinzler  • 

Father Feeney has deserted the little red house on 12 Bow Street to go on to bigger and better things.


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Researchers Investigate the Hypnotic State

By Alice E. Kinzler  • 

Hypnosis is a much misunderstood phenomenon. The layman tends to conceive of it in the most mystical terms, and there


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The Crucible

By Alice E. Kinzler  • 

It's a pity that the French were the first to attempt an adaptation of Arthur Miller's controversial play The Crucible.

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