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R. E. Oldenburg

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Portrait of a Lady

By R. E. Oldenburg  • 

A less ambitious transcription from Henry James, The Innocents, proved William Archibald an accomplished craftsman. In some two hours imposed


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Julius Caesar

By R. E. Oldenburg  • 

Contrary to the impression left by many reviews of the film, the great distinction of Julius Caesar is not the


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The Prescott Proposals

By R. E. Oldenburg  • 

Lindsay and Crouse's new play about high deeds in the U.N. is a pretty strong argument for permitting bars in


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Almanac

By R. E. Oldenburg  • 

With Billy DcWolfe and Hermione Gingold, a huge cast, an army of writers, and a program promising thirty-three scenes, Almanac


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Kismet

By R. E. Oldenburg  • 

Aleksandr Borodin's first musical since Prince Igor hit the boards in 1890 is an entertaining show, in spite of some


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Sherlock Holmes

By R. E. Oldenburg  • 

Without a real overhaul, Sherlock Holmes will please only that elfin six-year-old who accompanies Wolcott Gibbs when he lightly pans


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Devil In the Flesh

By R. E. Oldenburg  • 

Once praised as "the finest film ever banned by the Legion of Decency," Devil in the Flesh deserves superlatives in


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Flesh and Fantasy

By R. E. Oldenburg  • 

An ancestor of Trio, Flesh and Fantasy is a splice of three separate stories. Trio, however, is a trilogy, Flesh


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Campus Gods On Trial

By R. E. Oldenburg  • 

Professor Walsh's little book, Campus Gods on Trial, is a compact champion of Christianity against the secularism of the modern


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I Am A Camera

By R. E. Oldenburg  • 

In the role of Christopher Isherwood, Charles Cooper declaims early in the play: "I am a camera." This is very

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