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Lois E. Nesbitt

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Dadadadadadadadadadadadadada

By Lois E. Nesbitt  • 

D ADA WAS NOT just another art movement, and its products resist being treated as art objects. In displaying Dada


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Needs of the People

By Lois E. Nesbitt  • 

H ENRY N. COBB, the new chairman of the Architecture Department of the Graduate School of Design, is not just


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Unlocking the Tower

By Lois E. Nesbitt  • 

I N THE END, society will do us in. Like lemmings heading for the sea, we march in mute senselessness


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Trompe L'Oeil

By Lois E. Nesbitt  • 

W ITH THE installation of Mary Miss's Mirror Way, the Fogg makes one of its all-too-infrequent ventures into the realm


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It's Environmental

By Lois E. Nesbitt  • 

I F HARVARD STUDENTS can be considered a fair sampling of the art public, it's going to be a while


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Art Goes Under

By Lois E. Nesbitt  • 

I MAGINE walking into a subway station to the tune of a chiming windmill, descending an escalator plastered with rumpled


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A Tortured Tradition

By Lois E. Nesbitt  • 

A S A RULE in art exhibits, the more artists and styles crammed into a show, the less possible it


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Seizing the Public

By Lois E. Nesbitt  • 

C ARL ANDRE IS DOOMED to a life of explaining exactly what his sculpture is not. His bold experiments in

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