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Daniel J. Singal

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Moment of Truth

By Daniel J. Singal  • 

Francesco Rosi, who directed Moment of Truth, makes films with a message, and in this film the message arrives in


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SDS-- Harvard's New Left--Feels 'Underprivileged' In Generation Which Prizes Making Own Decisions

By Daniel J. Singal  • 

"I don't know any of them. They're not my friends," remarked one clean-cut Harvard student as a Vietnam protest march


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The Shop on Main St.

By Daniel J. Singal  • 

The past five years has seen a renaissance of the cinema in Eastern Europe, with most of the activity located


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Poor Faulkner: This Collection Shouldn't Have Been Collected

By Daniel J. Singal  • 

One can well imagine that James B. Meriwether, the fine Southern critic who edited this collection of William Faulkner's Essays,


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Our Secretary of State

By Daniel J. Singal  • 

When Arthur Schlesinger Jr. let loose his thunderbolt against Dean Rusk last Sunday, the liberal wing of the Democratic Party


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A Choice I Made

By Daniel J. Singal  • 

A Choice I Made, a film about a group of Peace Corps volunteers in India, will surprise you. Made in


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Diplomat Files His Complaints In One-Volume Suggestion Box

By Daniel J. Singal  • 

The life of a career diplomat in the United States Foreign Service varies from chasing llamas across the barren hills


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Les Abysses

By Daniel J. Singal  • 

Les Abysses, based on the actual double murder committed in 1933 by the Papin sisters, was assured of a favorable


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France's 'New Wave'; A Free, Bold Spirit

By Daniel J. Singal  • 

Now that the New Wave in the French cinema has finally run its course, critics both in Europe and this


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A Woman is a Woman

By Daniel J. Singal  • 

Cambridge film-buffs should be especially happy to see the French New Wave pop out of the Brattle's thirteenth birthday cake.

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