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Clea Simon

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A Day in the Life

By Clea Simon  • 

T HERE WASN'T TOO MUCH leather at Saturday's seminar, nor much pink hair. The Metro-Spit complex hold some mean-looking types,


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Sex on a Summer's Night

By Clea Simon  • 

N OT Annie Hall, not Love and Death, but certainly not to be sneezed at, A Midsummer Night's Sex Comedy


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Cool Ibsen at the Loeb

By Clea Simon  • 

AS THE MERCURY climbs into the nineties and the percentage of relative humidity follows closely behind, sunbathing quickly loses its


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Dull Blade

By Clea Simon  • 

L OS ANGELES in 2019 presents few surprises Traffic trangles are thicker and constant rain has replaced the smog, but


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Frogs on Exhibit

By Clea Simon  • 

W ITH "KOAX-KOAX-KOAX" and a splash, the Fogg Museum sets out to prove the necessity of art with humor and


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A Sensitive Sensationalism

By Clea Simon  • 

"T HE WHOLE PROCESS of writing is rewriting," contends John Gregory Dunne. Working simultaneously on a new novel. The Red


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No Surprises

By Clea Simon  • 

T HE COMMERCIAL SUCCESS of La Cage Aux Folles guaranteed an American imitation. Blake Edwards' attempt-- Victor Victoria, a light,


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Southern Belles

By Clea Simon  • 

I T'S HARD to believe that the South of William Faulkner. Gone With the Wind and the Ku Klux Klan


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A Pointless Labyrinth

By Clea Simon  • 

A FTER 20 YEARS of making feature films, Bernardo Bertolucci should know better. The writer and director of such controversial,

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