"Live by Night" by Dennis Lehane
Hey you.... yes you, you in the fedora, I’m trying to talk to you. Ah, the cold shoulder. Well, fine, have it your way. After all, you’re sitting on the cover of a Dennis Lehane novel; you’ve probably got it all figured out. To me, life at night usually conjures up images of a city’s dimly lit underworld, or at least a kid reading under the covers with a flashlight long after lights out has been called. Yet, here we have a fedora-clad man who sits with his back to us, ostensibly staring out at the un-ironically blurred sepia landscape. As we all could do exactly that by day, I see no reason in tampering with an established circadian rhythm.
"Huddleston Road" by John Toomey
“Look, Ma, I drew you a picture.” “Very good dear, now why don’t you finish coloring it in?” This is the exchange I imagine when I look at the cover of John Toomey’s new book, whose front displays a pen rendering of what appears to be a brownstone. A cloudy blue sky above and a touch of red in the top-right corner of the building are the only spots of color, a sort of flag, French or American—have it as you will. Although my OCD tendencies are a little peeved that the house is not completely colored in, I still feel like I would read this book—judging from its cover, of course.
"The Beach at Galle Road" by Joanna Luloff
A beach at sunset. An expanse of sand and palm trees black against the setting sun. A solitary figure promenades along the water, parasol in hand. Not a Jimmy Buffett song, unfortunately. Instead, you’re looking at the cover of Joanna Luloff’s new collection of Sri Lankan stories, “The Beach at Galle Road.” Although the front blurb proclaims Luloff’s book as a “wise and profoundly moving debut,” the inherently clichéd cover hardly merits the same praise. But, I will say, the more I stare at it, the more I wish I were walking along the beautiful Sri Lankan coast rather than sitting at my desk in rainy Cambridge.
—Staff writer Sophie E. Heller can be reached at firstname.lastname@example.org.
Becoming Our ‘Best Selves’:Imagistic distortion has become so normalized that unaltered photographs now run with special headlines, reinforcing the status of the non-airbrushed as an aberration.
Seeing Change In EducationWhile it is rare for book or magazine covers to be printed in Braille, the cover of the fall issue of the Ed School magazine, “Ed.,” was specially embossed in the cells of raised dots.
Facebook Cover Photos For You, From Harvard
‘Galle Road’ an Empty Portrait of Sri LankaWhile Luloff paints an enticing, vibrant image of Sri Lanka within the various interweaving stories that constitute her work, this depiction, informed by her work there as a Peace Corps volunteer, does not redeem the book’s deep flaws.
Big Shoes to FillWhat’s more mind-blowing than the idea of entirely re-making a perfectly good song (especially when the original belongs to a legend), though, is an artist’s ability to rework it so much so that it takes on an entirely different meaning. There is nothing trickier than a cover song.
Cover StoryCovers give a strangely pleasant sense of displacement, like being in two places at once.