News
Harvard Lampoon Claims The Crimson Endorsed Trump at Pennsylvania Rally
News
Mass. DCR to Begin $1.5 Million Safety Upgrades to Memorial Drive Monday
Sports
Harvard Football Topples No. 16/21 UNH in Bounce-Back Win
Sports
After Tough Loss at Brown, Harvard Football Looks to Keep Ivy Title Hopes Alive
News
Harvard’s Greenhouse Gas Emissions Increased by 2.3 Percentage Points in 2023
While Boston Calling has in the past hosted now-world-famous, mainstream artists on the upswing of their popularity—Kendrick Lamar was the festival’s third headliner in 2013, less than a year after the release of his major-label debut—most of the biggest artists it has previously attracted have a decidedly indie bent. Sia, then, is the festival’s first veritable popstar. On the remainder of her tour in support of her new album, “This is Acting,” she plays mostly arena shows; for her, Boston Calling is a relatively small venue.
Perhaps as a result, Sia’s performance differed radically from the others that the festival has hosted. As she sang on a podium—completely still, given that she probably has a difficult time seeing through the bangs that cover her face—dancers acted out what resembled music videos onstage. The screens showed not live footage of the performance but pre-recorded and edited studio footage of the same dances and skits. The skits featured well-known actors like Paul Dano and Kristen Wiig, as well as Maddie Ziegler, the dancer from the viral music video for “Chandelier;” nevertheless, some nearby members of the audience were at least temporarily convinced that the screens showed an extremely well-shot version of what was happening on stage. The videos coordinated impressively with the onstage dance, and the vague narrative portrayed a nice feature, but they also made Sia’s set feel like it wasn't really a live performance at all. For almost everyone in the audience, save those quite close to the stage, the screens dominated the visual field. Because Sia was motionless and had almost no stage presence, the screens easily attracted the majority of the audience’s attention. The experience was thus more akin to watching a series of music videos with thousands of other people than a live show.
—Staff writer Grace E. Huckins can be reached at grace.huckins@thecrimson.com.
Want to keep up with breaking news? Subscribe to our email newsletter.