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Contributing writer

Thalia I. Ferro

Latest Articles

Cover image for ‘The Departed’ 20 Years Later: How the Crime Thriller Defined Boston’s Cultural Identity
Arts

‘The Departed’ 20 Years Later: How the Crime Thriller Defined Boston’s Cultural Identity

By Thalia I. Ferro  • 

The film’s star-studded cast contributed to its widespread frenzy 20 years ago, and it became one of Scorsese’s classics.


Cover image for AADT’s ‘Eastbound’ 2025 Celebrates Inclusivity and Bonding Through Asian American Dance
Arts

AADT’s ‘Eastbound’ 2025 Celebrates Inclusivity and Bonding Through Asian American Dance

By Thalia I. Ferro  • 

The troupe’s spring showcase “Eastbound” took place on April 25 and 26 at the Loeb Drama Center.


Cover image for Artist Profile: Shana M. griffin on the Harvard ArtLab, Black Feminism, and Social Change Through Art
Arts

Artist Profile: Shana M. griffin on the Harvard ArtLab, Black Feminism, and Social Change Through Art

By Thalia I. Ferro  • 

For others who are trying to make social and political change through artistic devices, griffin recommends a bold approach.


Cover image for ‘Prime Target’ Review: The Prodigy Problem
Arts

‘Prime Target’ Review: The Prodigy Problem

By Thalia I. Ferro  • 

The show weaves together various storylines and characters in a clear yet intricate manner.


Cover image for ‘Caddo Lake’ Review: The Mysteries Haunting Caddo Lake
Arts

‘Caddo Lake’ Review: The Mysteries Haunting Caddo Lake

By Thalia I. Ferro  • 

Although the movie’s confusing plot choices occasionally diminish it, “Caddo Lake” is filmed and performed beautifully.


Cover image for Minimalism and the Death of Detail
Arts

Minimalism and the Death of Detail

By Thalia I. Ferro  • 

Some argue that minimalist design removes character, while others say it's more impactful because it leaves room for audience interpretation.

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