-
-
OPINION
By Jessica A. Sequeira
Friday, May 13, 2011
This ability to transcend mere intellect—it is right to call it anti-intellectualism—is one of Harvard’s greatest qualities.
-
OPINION
By Jessica A. Sequeira
Friday, April 22, 2011
It was when he moved back to China to be with his ailing father that Ai grew interested in the social landscape of his country, and began to ask how one could utilize modern design techniques to highlight political issues.
-
OPINION
By Jessica A. Sequeira
Friday, April 8, 2011
“If all the year were playing holidays, / To sport would be as tedious as to work.” Folks say these ...
-
ARTS
By Jessica A. Sequeira
Tuesday, April 5, 2011
For a few decades in the middle of the last century, American fiction featured a strong Jewish voice, world-weary yet wisecracking, in which unconcern—even disgust—toward the world coexisted with fascination with its linguistic and philosophical possibilities. With his existential emphasis, the Jew became the everyman; though the Jewish immigrant now rarely appears as a novelistic protagonist, a great nostalgia for his brand of schmerz persists.
-
OPINION
By Jessica A. Sequeira
Friday, March 25, 2011
In Brazilian Portuguese there’s an evocative word sertão, meaning “backlands.” It refers to the Northeastern interior, calling up images of ...
-
OPINION
By Jessica A. Sequeira
Friday, March 4, 2011
Nestled in a fern planter in the entry to my house, eyes closed and legs crossed, sits a life-size stone ...
-
OPINION
By Jessica A. Sequeira
Friday, February 18, 2011
This weekend I had the wonderful opportunity to watch The Battle of Chile, celebrated Chilean filmmaker Patricio Guzmán’s epic three-part ...
-
OPINION
By Jessica A. Sequeira
Monday, February 7, 2011
There is something touchingly idiotic, and sublimely old-fashioned, about the spectacle of these reporters who still feel the need to enter the fray.
-
ARTS
By Jessica A. Sequeira
Tuesday, February 1, 2011
An Irish writer best known for his novels “The Blackwater Lightship,” “The Master,” and “Brooklyn,” Tóibín knows how to turn a lovely sentence, full of cadence and lyricism. In this collection, Ireland makes up the backdrop: many of his characters are returning to Ireland after a long absence, or are still—though expatriates—carrying the land within them.
-
OPINION
By Jessica A. Sequeira
Friday, November 12, 2010
What students are really saying, if less articulately than they might, is that it is possible to work together, that they needn’t break into isolated individuals or communities—and that, standing beside government institutions, one shouldn’t ever feel small.
-