Natalie T. Chang
Latest Articles
Hear Me Out: 'All Day'
“All Day” is Kanye West's unapologetic, smirking response to an audience boxing him into their definition of rapper.
Kids These Days
As we demand increasingly more of our young, and we champion our current figureheads of young achievement, dystopian YA novels have grown to reflect this aspect of forced adulthood.
The Stale Taste of 'Fresh Off the Boat'
"Fresh Off the Boat" might be a step forward in terms of Asian-American representation in popular culture and television, but it somehow manages to lose valuable nuance in its quest for palatability.
Who Will Survive in America?
New Orleans in the summer of 2013 crawls with humidity and fire ants. It is eight years after James Brissette and Ronald Madison—both unarmed, both searching for food in the aftermath of Katrina, both black—were shot by white police officers who later claim that the two men, one of whom was mentally disabled, were firing at them.
Unappealing Lack of Narrative in 'The Arts Board'
The official Crimson review of the year-long epic film "The Arts Board."
Editors' Note: Natalie T. Chang '15 and Erica X Eisen '16
A letter from the chairs of the arts board to our readers.
'The Theory of Everything,' Explained
"The Theory of Everything," directed by James Marsh, portrays the life of Stephen Hawking, from his discoveries in physics to meeting his first wife to his struggles with ALS.
Two Sides to 'The Maze Runner'
"The Maze Runner" is an intriguing version of a narrative that permeates the contemporary box office, one that doesn’t have to sacrifice an imagination of a cooperative community for the sake of sensationalist, individual heroism.
Upcoming Highlights from Arts First
The Crimson previews choice events from Arts First 2014, May 1-4.
Hear Me Out: The Antlers, "Palace"
The question now facing the New York band is what to construct next, after the hospital beds have been put away and the bodies laid to rest.
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