Oregon Shakespeare Festival's "Othello" at the A.R.T. replaces the usual Renaissance Venice with a more lugubrious, yet modern American city (with the opening scenes taking place outside of a seedy nightclub) and Renaissance Cyprus with a village whose sand-toned architecture is reminiscent of the Middle East.
The L.A. native’s new song relies on tried and tested methods — heavy on synth melodies, voice modulations, and layered vocals — yet distinguishes itself through its much faster, more upbeat tempo and powerfully disturbing lyrics.
Though the Boston Ballet’s “The Nutcracker” runs annually in December, it did not fail to impress with its energy and high production value on its opening night on Nov. 29.
"The Favourite"'s assessment of each character feels almost Austenian — if Jane Austen enjoyed lavish lobsters racing and heavy use of the c-word.
Before I take over as The Crimson’s new TV executive, I think it’s important for my readers to know where I stand: I don’t know anything about TV, because I only watch British period dramas.
With humor and candor, “You’ve Been So Lucky Already” makes serious discussions of health, illness, and tragedy much more palatable.
“We’re politicians, not murderers.” This line, spoken by an advisor to the British Home Secretary during police inquiries, reflects a central theme in BBC One’s hit television series “Bodyguard,” now available on Netflix.
In their production of William Shakespeare’s “Measure for Measure”, the Pushkin Theater deftly succeeded in confronting the troubling nature of the material while celebrating the play’s hilarity.
150 years after it was written by Alcott in her home Orchard House, “Little Women” remains a source of inspiration providing girls with role models and charmingly encapsulating the anguish and joy of growing up.
A.R.T.’s new show “The Black Clown" is musical and dramatic adaptation of Langston Hughes’ poem of the same name. Though written in 1931, its verses are still bound to send chills down one's spine through its lively and haunting performance.
With its luscious cinematography, haunting story, and painful soundtrack, “Sharp Objects” delivers a stunning Southern Gothic that gives this loving word a much darker connotation.
With its crisp recipes, decadence, and copious amounts of research, “Flavors of Taste” will ensure both success in the kitchen and satisfaction to those eating their way through its recipes.
“Mary Shelley” is too unfocused and scattered to feel like a complete, self-possessed production.
Besides its intricate plot, the film’s characters and the wonderful actors who portray them are some of its strongest assets.
Though this is a departure from what the Arctic Monkeys have done in the past, this new album is a refreshing and much more experimental step for them.
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Asked About Sullivan’s Decision to Represent Weinstein, Khurana Points to Faculty Members’ ‘Academic Freedom’
Who Can Be ‘Racist’?