Crimson staff writer
Daniel S. de Castro
Latest Content
‘What Sammy Knew’ Review: Not Just Another Coming-of-Age Story
David Laskin tells a timeless tale of maturity set against a backdrop of 1970s New York.
‘The Midnight Library’: A Tale of What Could Have Been
Haig chooses to pursue the repetitive, predictable plot that reveals itself less than a third of the way into the book.
Portrait of an Artist: Gary Golio
Gary Golio recently sat down with The Harvard Crimson to discuss his latest projects, writing picture books, and his decision to become an author.
Music Video Breakdown: 'Losses' by Lil Tjay
With the first note of the song’s despondent melody, the video cuts to a shot of Lil Tjay sitting on the hood of an expensive-looking sedan.
The Second Season of Netflix’s ‘Family Business’ Leaves Viewers Hungry for a Third
The second season of this show was just as ridiculous, light-hearted, and downright funny as the first, adding a second chapter to a story so entertaining that it makes the promise of a third something to genuinely look forward to.
‘Witch’: A Collection of Poetry Too Cryptic to Be of Any Use
In his attempt to create a work set apart by its subtlety and subtext, Matthews presents the reader with a work that is instead an off-putting and laborious read.
In ‘Home,’ Pensive Poetry Brings Disparate Worlds Together
“Home” lends its readers an experience that is at once fluid and thought-provoking, one that makes it easy to lose track of time and, more importantly, context.