Through its immeasurable range of rhetorical chutzpah, “Re: Back at it” sends readers on an electrifying odyssey through the brilliant literary minds behind Harvard’s student government.
While many relished the last week of their winter vacation, 24 enthusiastic students returned to campus a week early for a Wintersession course on James Joyce’s “Ulysses.”
Harvard grads in the arts—from the creators of “The Office,” “Parks and Recreation,” and “Brooklyn Nine-Nine” to Broadway musicians and authors—remember a formative Harvard education, albeit one largely lacking in technical arts instruction.
The Houghton Library exhibit “Shakespeare: His Collected Works,” which features a wide array of collections about the playwright from Harvard and around the world, will come to and end this month.
My big obsession right now is the question of care, in the sense of attentiveness to the world. We live in a world of censors where experience is discounted, but I still wanted to go back to a case where the woman from [this world] becomes observant and starts to look at the world better.
Nobel prize-winning author Toni Morrison captivated a packed Sanders Theater with her first lecture as the 2016 Charles Eliot Norton Professor of Poetry Wednesday evening, discussing race and racism, rape, and migration through a series of personal anecdotes and literary selections.
The universe of higher education often bemoans a "crisis" in the humanities, with supposedly dwindling numbers and few job prospects. At Harvard, humanities concentrators face a crisis of choice, attempting to balance their passions with factors like stability and employment. For Harvard graduates, the question is not so much whether you’ll get a job with a humanities degree—it’s where.
Claire Messud is the newest addition to Harvard’s creative writing faculty, and an acclaimed novelist, speaker, and lecturer. Her novel, The Emperor’s Children, was a New York Times bestseller. In 2002, she was awarded the Guggenheim Fellowship for Creative Arts. She lives in Somerville with her husband, fellow Harvard English Professor James Wood. She leads two fiction workshops.
Colleagues remember the late Slavic and Comparative Literature professor as an avid writer and artist whose work was known around the world for its transformative power.
Matthew Battles talks about similarities in poetic style between works of different epochs as part of "re-verse: A Participatory Evening of Poetry." The event engaged with the metaLAB @ Harvard, an interdisciplinary teaching unit, and was part of the week-long Harvard LITFest.