In "Green Book," Peter Farrelly eschews impactful subtlety in favor of a feel-good movie with ultimately little substance.
At some point in the year, we realized that we weren’t just “Crimson friends,” but actual friends.
In my small comp class of 10 elected compers, picking up pitches wasn’t as competitive. But considering how much Arts has grown since then, it’s come to be a… tedious tradition. And just because it’s tradition doesn’t make it right.
DaCosta navigates precisely, quietly, starkly, resulting in a small neo-Western that builds without judgment of its characters or the society that has condemned them to their fate.
All roads lead to the Waterford household. At least, they do for June, who unbelievably ends up back there for a third time.
To say that “The Last Ceremony” is an emotional rollercoaster would be an understatement.
Though its homage to the past is undeniable, “Incredibles 2” makes sure to speak to the present.
Despite the character-related inconsistencies, the episode upholds its themes well.
“Other Women” might as well be a throwback episode, as the cyclical nature of life as a handmaid is brought back full circle in what is ultimately a study in brainwashing.
In an episode where death looms over the characters’ heads, “Seeds” hints at a new life not just within June’s body, but for the characters themselves.
In “Capharnaüm,” director Nadine Labaki paints a depressing tableau of a vicious cycle that Zain unfortunately gets caught up in, one that starts one node up in Zain's family tree with his parents.
Spike Lee’s “BlacKkKlansman” is a testament to the director’s ability to weave the politics of the past and present, of identity, race, and religion, in an alternatively comedic, disturbing, and suspenseful thrill ride based on an unbelievably true story.
Without seeming resolute or preachy, Pawlikowski’s “Cold War” is a clarion call for the enduring power of love in a bleak time.
"Climax" is a trippy prism of an arthouse film that succeeds in its attempt to destabilize its audience into the same debauchery as its characters, though at times the actors and director, too, fall into the easy trap of overdoing it.
From Cannes: ‘Di Qiu Zui Hou De Ye Wan’ (‘Long Day’s Journey Into Night’) Scintillating In Its Obscurity
Bi Gan makes 3D film into a cinematic experience integral to the film’s second half, in a way that amplifies the first half’s slow-moving narrative—both in direction and in plot—a beautiful tale of a man in search of the ghost of his past.
Harvard Law Prof. Emeritus Alan Dershowitz Joins Weinstein Defense Team in Class Action Suit
The Neighborhood Where Nothing Ever Changes
A Grande Loss for the Garage: Another Harvard Square Starbucks to Close
Former Employee Sues Harvard For Racial Discrimination, Failure to Accommodate Her Disability, and Retaliation
Harvard, Remove Dean Sullivan