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Crimson staff writer

Mila Gauvin II

Latest Articles

Cover image for Khalid’s ‘Free Spirit’ Still Has Some Growing to Do
Arts

Khalid’s ‘Free Spirit’ Still Has Some Growing to Do

By Mila Gauvin II  • 

Though “Free Spirit” more often than not falls into the generic pop trap, a few hidden gems suggest Khalid’s personal and artistic growth.


Cover image for ‘The Comedian’ Fails to Put You in ‘The Twilight Zone’
Arts

‘The Comedian’ Fails to Put You in ‘The Twilight Zone’

By Mila Gauvin II  • 

Though Jordan Peele has demonstrated his mastery of comedy, horror, and suspense, all of which characterize the original 1959 television series, the reboot of “The Twilight Zone” feels off — and not in a good way.


Cover image for ‘Green Book’ More Black and White Than Anything Else
Arts

‘Green Book’ More Black and White Than Anything Else

By Mila Gauvin II  • 

In "Green Book," Peter Farrelly eschews impactful subtlety in favor of a feel-good movie with ultimately little substance.


Cover image for Editors' Note: When Arts Goes Normie
Arts

Editors' Note: When Arts Goes Normie

By Mila Gauvin II and Grace Z. Li  • 

At some point in the year, we realized that we weren’t just “Crimson friends,” but actual friends.


Cover image for The Case Against ‘The Final Countdown’
Arts

The Case Against ‘The Final Countdown’

By Mila Gauvin II  • 

In my small comp class of 10 elected compers, picking up pitches wasn’t as competitive. But considering how much Arts has grown since then, it’s come to be a… tedious tradition. And just because it’s tradition doesn’t make it right.


Cover image for ‘Little Woods’: The Female-Led Neo-Western We Didn’t Know We Needed
Arts

‘Little Woods’: The Female-Led Neo-Western We Didn’t Know We Needed

By Mila Gauvin II  • 

DaCosta navigates precisely, quietly, starkly, resulting in a small neo-Western that builds without judgment of its characters or the society that has condemned them to their fate.


Cover image for ‘The Handmaid’s Tale’: ‘Postpartum’ Not So Different from Prepartum
Arts

‘The Handmaid’s Tale’: ‘Postpartum’ Not So Different from Prepartum

By Mila Gauvin II  • 

​All roads lead to the Waterford household. At least, they do for June, who unbelievably ends up back there for a third time.


Cover image for ‘The Handmaid’s Tale’: ‘The Last Ceremony’ More Heartbreaking and Horrific Than Any Other
Arts

‘The Handmaid’s Tale’: ‘The Last Ceremony’ More Heartbreaking and Horrific Than Any Other

By Mila Gauvin II  • 

To say that “The Last Ceremony” is an emotional rollercoaster would be an understatement.


Cover image for 'Incredibles 2' Worth the Incredibly Long Wait
Arts

'Incredibles 2' Worth the Incredibly Long Wait

By Mila Gauvin II  • 

Though its homage to the past is undeniable, “Incredibles 2” makes sure to speak to the present.


Cover image for ‘The Handmaid’s Tale’: ‘Women’s Work’ Disrupts a Man’s World
Arts

‘The Handmaid’s Tale’: ‘Women’s Work’ Disrupts a Man’s World

By Mila Gauvin II  • 

Despite the character-related inconsistencies, the episode upholds its themes well.

Latest Media

Cover image for Cannes Film Festival 2018
Arts

Cannes Film Festival 2018

The Harvard Crimson sends two writers—Mila Gauvin II '19 and Caroline A. Tsai '20—to France to cover the 71st annual Cannes Film Festival.


Cover image for Atlanta: Season 2
Arts

Atlanta: Season 2

By Mila Gauvin II  • 

The Harvard Crimson reviews "Atlanta," on FX, created by Donald Glover.


Cover image for The Handmaid's Tale: Season 2
Arts

The Handmaid's Tale: Season 2

By Mila Gauvin II and Grace Z. Li  • 

The Harvard Crimson reviews the Hulu adaptation of Margaret Atwood's dystopian novel, "The Handmaid's Tale."







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